Marc Esserman
MASTER OF MAYHEM

Marc Esserman

International Master · the Smith-Morra Gambit's modern champion

Marc Esserman is an American International Master whose work helped revive interest in the Smith-Morra Gambit. He tested the pawn sacrifice against grandmasters and published his analysis in Mayhem in the Morra! (2012). His win over Loek van Wely at the 2011 U.S. Open brought wider attention to the opening. The book follows his development from a young player studying Morphy to a teacher and analyst, including defeats and positions he initially feared refuted the gambit. His attacking style draws on the romantic tradition and on years of computer-assisted preparation.

A Miami boy in Harvard Yard

Esserman was born in Miami, Florida, in 1983 and took up chess at the age of seven. The talent showed early and showed loud: two national scholastic team titles in 1994 and 1995, and a perfect 7–0 run through the K–8 section of the 1997 Super Nationals, the largest rated tournament ever held in the United States.

He went on to Harvard College, where for four years he captained the chess club and organised international exchanges. The academic setting never softened his chess. If anything it sharpened a contrarian streak already forming in him — a conviction that the textbooks were wrong about one opening in particular, and that he could prove it.

In Mayhem in the Morra! (2012), Esserman names International Master Calvin Blocker as his first professional coach and the teacher who introduced him to the gambit. Blocker used its main line and the fight for the d5-square to prepare him for the Open Sicilian. Esserman also recalls that Morphy's Opera Game was the first game a coach showed him; it became his favorite and the first game he showed his own students, whatever their strength (pp. 10, 39, 75).

The much-maligned Morra

The Smith-Morra Gambit — 1.e4 c5 2.d4 cxd4 3.c3, named for Pierre Morra and the Texan Ken Smith — offers a pawn in the Sicilian for fast development and open lines toward the Black king. For generations the consensus of strong players was that it was simply unsound: a pawn given away for a club-level ambush that real opposition would refute. Esserman set out to overturn that verdict.

He has played and analyzed the Morra for most of his life, reviewing thousands of games. His book emphasizes control of squares and the pursuit of pieces, especially the black king and queen. He examines the activity White gains for the pawn alongside Black's defensive resources (Mayhem in the Morra!, pp. 11–29).

His book's preface traces that commitment to the 2000 U.S. Masters, his first invitational tournament. At sixteen, he read a book dismissing the Morra in a bookstore before the event, then lost a game in the gambit after missing mate in two. Only afterward did he learn that his opponent, Bob Ciaffone, had coauthored the book. Esserman kept playing the opening, drew against Hikaru Nakamura, and won his last-round game against FIDE Master Chow. Chow, who had tried the same defense, encouraged him to keep exploring it (Mayhem in the Morra!, pp. 7–8, 126–128).

“I was defeated, but invigorated, having successfully challenged a published author in a debate where we were polar opposites.”
— Marc Esserman, Mayhem in the Morra! (2012), preface, p. 7
“This is my favorite chess game, not only for its beauty, but for the powerful principles it preaches.”
— Marc Esserman, Mayhem in the Morra! (2012), on Morphy's Opera Game, p. 39
“Of course, even if a position ever becomes “dry”, you must be prepared to grind away.”
— Marc Esserman, Mayhem in the Morra! (2012), introduction, p. 28
“Over time I thought I had found many depressing deaths to the gambit, but upon deeper analytical review, sometimes minutes, sometimes years later, I discovered the Morra not only survived, but thrived.”
— Marc Esserman, Mayhem in the Morra! (2012), chapter 11, p. 246
“I got crushed in an impressive way, leaving me both groggy and completely mad, forcing me to consider the Morra seriously for the first time in my life.”
— Loek van Wely, foreword to Marc Esserman, Mayhem in the Morra! (2012), p. 5
“There is no greater authority in the world on this line than Marc Esserman and he lays it all out there in this book.”
— Larry Christiansen, foreword to Marc Esserman, Mayhem in the Morra! (2012), p. 4
“Esserman had already established a reputation for producing some Tal-like masterpieces.”
— Kevin Spraggett, grandmaster
“Because of his energetic style, we would call him a Balzac of chess writers and we grant him high marks.”
— The Boston Globe

Felling grandmasters

Belief is cheap; scalps are not. From 2008 onward Esserman began converting his faith into wins over titled players. He beat grandmaster Eugene Perelshteyn at the 2008 World Open, and that same year, in Miami, he hunted down GM Victor Mikhalevski and checkmated him in the middle of the board. In 2009 — the year he earned the International Master title — he downed four-time U.S. Champion Alexander Shabalov at the Eastern Class Championship and turned away GM Zbynek Hracek, who had declined the Morra rather than face it head-on.

The victories piled into titles of his own: co-winner of the 2009 Eastern Class Championship, the 2010 New York State Championship, and the 2011 Liberty Bell Open in Philadelphia. But the game the chess world remembers came at the 2011 U.S. Open. Across the board sat Loek van Wely, a former world top-ten grandmaster rated near 2700 — and Esserman, with the gambit everyone said could not survive contact with elite opposition, sacrificed a knight on d5, blew open the centre, and forced resignation in twenty-six moves.

Mayhem in the Morra

In 2012 the Scottish publisher Quality Chess brought out Mayhem in the Morra!, Esserman's 360-page case for the defense: part repertoire, part manifesto, opening with an introduction pointedly called The Much Maligned Morra. It was received as literature as well as an opening manual: The Boston Globe called him “a Balzac of chess writers,” and three-time U.S. Champion Larry Christiansen wrote that there was “no greater authority in the world on this line.”

Both grandmasters contributed forewords. Christiansen described using Esserman's analysis to prepare the Morra as a surprise weapon for the 2011 U.S. Championship (p. 4). Van Wely recalled losing their U.S. Open game and being forced “to consider the Morra seriously for the first time in my life.” After the tournament, he and Esserman played a thematic blitz match to test their ideas (p. 5).

Esserman also included his mistakes. In an online three-minute game against former FIDE world champion Ruslan Ponomariov in 2008, he reached a winning position while visiting his family. His mother called him downstairs for pancakes; distracted, he missed a winning rook move and lost. His conclusion was “never give World Champions pancake odds” (pp. 276–277).

A romantic out of time

Commentators reach instinctively for Mikhail Tal when they describe Esserman's play — GM Kevin Spraggett noted his reputation for “Tal-like masterpieces.” Esserman's book explains how he prepared his attacks: he used ChessBase Megabase 2011, Deep Rybka 4, and Houdini, and credited the engines with both rejecting variations and finding new possibilities (Mayhem in the Morra!, p. 29). He also urged players to keep working when a position became quiet, since even the simplest positions could contain dangers (p. 28).

He carried it to the elite stage at the 2016 Gibraltar Masters, defeating former World Championship challenger Nigel Short and then, true to himself, wheeling out his beloved Morra against five-time World Champion Viswanathan Anand; the game was drawn by repetition, though more than a few onlookers thought he had let a win slip. Beyond the board he has written for Chess Life and taken the gospel of the attack to a new generation online — streaming chess on Twitch as whyyyyyyysoserious, posting to a YouTube channel under his own name, and coaching as the self-styled Masster of Mayhem.

Legacy

Esserman never went after a world title, and the record books won't list him among the champions. What he did was stranger and rarer: he took an opening the establishment had buried and brought it back to life himself, showing in tournament after tournament that romance and soundness can go together. Mayhem in the Morra! is the standard book on the gambit, and players from club halls to the grandmaster ranks now play 3.c3 because one stubborn American refused to believe it was dead.

Books

Books Marc Esserman wrote, co-wrote, edited, or contributed to. Translations and reprints are grouped under the same work.

Bibliography source

From the archive